
I would have to say that the movie Take the Lead is one of
my favorite. Dancing Classrooms, the
program made famous in the documentary ”Mad Hot Ballroom” and the Antonio
Banderas flick “Take the Lead”, both about the true story of a man named Pierre
Dulaine. Neither is a film that’s just about teaching dance steps, they are
about teaching much more than moving your feet. For the past several decades there has been a
drive to come up with educational methods to help young people obtain the
skills that they need to grow up to be successful adults. The Montessori Method, Waldorf
Education and the Suzuki method are three of the most thorough, and effective,
of those efforts. What makes these methods so successful is that they combine a
clear and compelling philosophe, a systematic training for individuals who will
instruct the children, a program design that fundamentally corresponds with the
developmental needs of the children to be trained, and the ability to imitate
the program on a large scale.
1. The
Montessori method, with a philosophy grounded in guiding a child's inner self
to perfection, is completely focused on the emerging developmental needs of the
child informing the Teacher about when to introduce certain learning
experiences.
2. Waldorf
education is based on a holistic view of human development, providing a
detailed, artistic curriculum that responds to and enhances the child's
developmental phases, from early childhood through high school, enhancing
academic learning through music, movement and art.
3. The
Suzuki method functions similarly: with a philosophical goal of bringing beauty
to the spirit of the young child, it builds on the essential developmental
drive within young children for language acquisition.
Dancing classrooms shares elements of these educational
philosophies, combining a clear and compelling philosophy with a rigorous and
systematic adult training model that dramatically coincides with the
developmental need within 10-11 year old children to reinforce their social
skills just prior to the onset of puberty. And Dancing Classrooms is now being
replicated throughout the US and Canada with requests from several other
international sites. As with the Montessori and Suzuki programs, at the heart
of Dancing Classrooms is a method – the Dulaine Method.
From Wikipedia:
The Dulaine Method philosophy
Respect & Compassion:
At the very core of the Dulaine Method philosophy is the essential respect that
goes into being a Lady and being a Gentleman. Dancing Classrooms is a program
that demands that the children not only treat others with respect but also
encourages the children to respect themselves.
Coupled with respect is compassion. Perhaps it is Pierre's
own childhood that predisposes him to walk into a classroom full of children
who struggle to believe in themselves, open his arms and heart to them, and
then guide them gently along a journey that leads these young people to joy and
accomplishment.
Respect and compassion are the foundational elements of the
Dulaine Method. Unfortunately, very few adults know how to genuinely treat
children with respect. And even fewer adults seem to remember what it was like
being a child.
Being Present:
Probably the most difficult skill for any teacher to learn is the ability to be
completely in the moment when they are teaching. Children in particular are
extremely aware of when the adult in charge (parent, teacher, coach) is not
really there; and when a child senses that distance, woe be unto that adult.
Pierre’s ability to "be here now" enables him to observe every subtle
nuance of student, and group, behavior. He can see when a child is nervous, not
paying attention, when the group is becoming antsy and he can respond to those
issues immediately, thus keeping the classroom experience flowing. Being
present also allows Pierre to express his own positive emotions towards the
children at precisely the moment the children need that affirmation.
Creating a Safe
Place: Asking children to take the
extraordinary risk of embarrassing themselves in front of their peers is
precisely what Dancing Classrooms does. And the only reason that the children
are willing to take this risk is because Pierre has perfected a way to make
that experience safe. A Dancing Classrooms class is a place in which everyone
is equal: the students, the Teaching Artist, and the elementary school staff
that are participating. In modern jargon we call this creating a therapeutic
milieu, an environment so different from these children's normal daily
environment that simply being in that room and being part of that collective
group experience changes that child.
Command &
Control: Clearly, if you are going to move 25 children through twenty 45
minute classes and have them successfully learn seven dances, you need order
and discipline. Pierre is in command of the class from the moment he begins
until the moment the children leave the room. An essential part of the Dulaine
Method is developing the craft of managing the Group. When teachers are being
taught how to work with children their training is invariably focused on
individual child development. Rarely, if ever, are student teachers taught
about group dynamics and how to manage a group of children.
Language: Body
& Verbal Language, both body and verbal, are the great connectors in
Dancing Classrooms. Pierre's entire physical affect is one of openness, warmth,
and genuine affection for the children. His verbal repertoire is a consistent
barrage of positive comments. There is no denying that when Pierre combines his
body and verbal language he is a force the children simply cannot resist.
Humor & Joy:
Dulaine has been commended for bringing humor to the classroom. Gentle humor
can help a shy child become less self-conscious; humor with that same child
handled poorly can make him retreat and never come back out. He is playful, he
is present, and the children can sense that he is just plain happy to be with
them. He also has this little habit of playfully slapping the students at
Dancing Classrooms with his tie.
Being in such a safe place, where the boundaries are clear,
the teacher is fully present, where respect and compassion reign – these are
the elements that bring joy into the lives of the Dancing Classrooms children.
And, as one Teaching Artist states: Dancing Classrooms is not about teaching
ballroom dancing. The dance is a tool for getting the children to break down
social barriers, learn about honor and respect, treat others carefully, improve
self-confidence, communicate and cooperate, and accept others even if they are
different. To learn more you can go
here.
http://www.dancemagazine.com/issues/september-2009/Everyone-to-the-Dance-Floor
Another Movie I really like is Precious, This movie is hard to watch as it is very disturbing to see this girl treated so badly by her mother, the only place she has anyone who cares about her is at school, the ending is very good, but you have to sit through a ton of bad to get there. Have the tissues handy and watch this high school teacher change the way this young woman sees herself and the world around her.